What is a Big-Character-Poster? It is a type of political writing, expressed on paper—in handwritten characters—and posted in a public place; a wall covered with such posters established a forum for discussion and dissemination.
China’s Palace Museum has always been a symbol of political legitimacy, its art and artifacts a kind of currency. Making imperial treasures public to the new nation, it first opened its doors in the Forbidden City in 1925. But many of its finest pieces are no longer in Beijing.
Read more at: http://evenmagazine.com/imperial-by-design/.
This year marks the fiftieth anniversary of the beginning of China’s Cultural Revolution (1966-1976), a decade-long period of political turmoil that included attacks on alleged class enemies, the toppling of Party officials high and low, and the reinstatement of political control via revolutionary committees supported by the military.
The Cultural Revolution was a period of violent passions and deep traumas. Violence was committed in the name of the noblest ideals or out of the darkest human motivations.
Last year, the twenty-fifth anniversary of the 1989 Tiananmen student movement and its brutal crackdown made major headlines. China-watchers, journalists, and academics commemorated June 4—as the event is called for short—with articles and books, and with lectures and roundtables.
May 17th in Hong Kong marked the opening of a two-week ‘Umbrella Festival,’ a pro-democracy sit-in protest that lasted from September to December 2014. The Umbrella Movement was one of the largest political demonstrations the city had ever seen.
In between memory and forgetting, there is commemoration. Twenty-five years ago this month, a protest in Beijing’s Tiananmen Square ended in tragedy. As historical event, the contours of the Tiananmen student movement have long since entered textbooks in the West.